Catalogue
 

     © 2013 by Proyecto Sotelo SL / Madrid  •  Berlin





NEL SUONO INDICIBILE – A LUIGI NONO 1989/90

for bass-clarinet / double bass-clarinet, alto saxophone/ tenor saxophone, violoncello and live-electronics

première: 23/04/1990, Sezession, Vienna / Austria. Ernesto Molinari (clarinet), Marcus Weiss (saxophone), Lucas Fels (violoncello) Sound director: Peter Böhm

• Ariadne Verlag


IX+, DE SUBSTANTIIS SEPARATIS 1990

for soprano, ensemble (saxophone, double bass-clarinet, tuba, piano, 2 violoncellos, double bass) and live-electronics

Text by Sotelo,  inspired by the homonymous book by Santo Thomas de Aquinas

première: 03/12/1990, ORF Grosser Sendesaal, Vienna / Austria. Margarete Jungen (soprano) Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag


DUE VOCI…, COME UN SOFFIO DALL’ESTREMA LONTANANZA 1990/91

for clarinet, saxophone, female choir, orchestra and live-electronics

commissioned by the ORTVE

text: Thomas Aquinas, Rainer Maria Rilke and Massimo Cacciari

première: 05/02/1991, Teatro Monumental, Madrid / Spain. Ernesto Molinari (clarinet), Marcus Weiss (saxophon), Orquesta y Coro de la RTVE / José Ramón Encinar. Sound director: Peter Böhm

• Universal Edition


NON GRIDATE PIÙ 1990/91

for 2 female voices, piano, ensemble (flute, 2 clarinets, saxophone, tuba, 2 percussions, string trio and double bass) and live-electronics

commissioned by: Fundación Juan March

text by Giuseppe Ungaretti.

première: 23/10/1992, Philharmonie Cologne / Germany.  Sarah Barrett, Renate Burtscher (voices), Kristi Becker (piano), WDR Sinfonie Orchester Köln / Hans Vonk. Sound director: Peter Böhm

• Ariadne Verlag


CHEZ SOI SANS SOI 1991 

for 2 flutes, sound carrier and live-electronics

première: 20/01/1992, Wiener Konzerthaus, Vienna / Austria. Eva Furrer, Sylvie Lacroix (flutes)

• Ariadne Verlag


DE L’INFINITO, UNIVERSO E MONDI 1996/97

for solo violin, orchestra  (2.3.2.2. / alto sax / 4.3.2.1. / 3 perc / hp / string) and sound carrier. 25’

commissioned by: Saarländischer Rundfunk

première:12/09/1997, Saarbrücken / Germany. RSO-Saarbrücken / Michael Stern.

•  Universal Edition


DE AMORE. UNA MASCHERA DI CENERE 1996/99

chamber opera, 100’

parts: Woman (soprano) / Man (baritone) / Ginesa (cantaora) / Marina (cantaora)

for ensemble (flute, clarinet, saxophone, violin, violoncello, double bass, 2 percussions and piano), tape and live electronics

librettist: Peter Mussbach

commissioned by: City of Munich for the Münchener Biennale

première: 19/04/1999, Gasteig, Munich / Germany.  Salome Kammer (Woman), Markus Eiche (Man), Eva Durán (Ginesa), Marina Heredia (Marina). Roberto Fabbriciani (flute), Ernesto Molinari (clarinet), Yves Savary (violoncello), Marcus Weiss (saxophone), Johannes Nied (double bass), Stefan Blum, Christian Dierstein (percussion), Yukiko Sugawara (piano) / Mauricio Sotelo

scenery: Peter Mussbach.

•  Universal Edition


ÁNGEL DE LA TIERRA 1997

for 2 cantaoras (ossia contraltos), ensemble (flute, saxophone, piano, 2 perc, violoncello and double bass) and tape. 25’

commissioned by: Studio für electronische Musik des WDR Köln

première: 10/04/1999, Cologne / Germany. Marina Heredia, Eva Durán (cantaoras), De Amore Ensemble / Mauricio Sotelo.

•   Universal Edition


IN PACE 1997

for cantaora (or contralto), percussion and sound carrier. 12’

text: José Ángel Valente

première: 01/10/1997, Madrid. Carmen Linares (cantaora), Christian Dierstein (percussion).

•   Universal Edition.


POSESIÓN DEL ÁNGEL 1997/2001

for cantaor (or baritone), ensemble and sound carrier. 50’

text: José Ángel Valente

•   Universal Edition


CANTA LA LUZ HERIDA POR EL HIELO. HOMENAJE A FEDERICO GARCÍA LORCA 1998

for violin and ensemble (flute, clarinet, 2 perc, string quartet and double bass) and sound carrier. 9’

commissioned by: Ensemble Modern

première: 16/02/1998, Frankfurt / Germany. Ensemble Modern / Sian Edwards

•   Universal Edition


DEL AURA AL SUSPIRAR 1998

for double bass-flute (or bass-flute) and sound carrier.12’

commissioned by: Roberto Fabbriciani

première:  21/07/1998, Cividale del Friuli / Italy. Roberto Fabbriciani (double bass-flute). Sound director: Alvise Vidolin

•   Universal Edition UE 31832


FRAMMENTI DE L’INFINITO. LORCA-NONO DIÁLOGO DEL AMARGO 1998

for orquesta (2.2.2.2. / 2.2.2.0. / 2 perc / string) and sound carrier.12’

commissioned by: Junta de Andalucía

première: 25/06/1998, Fuentevaqueros, Granada / Spain. Orquesta Ciudad de Granada / Joan Pons

•   Universal Edition


SI DESPUÉS DE MORIR… IN MEMORIAM JOSÉ ÁNGEL VALENTE 1999/2000

for cantaor (or contralto), orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string) and sound carrier. 18’

text: José Ángel Valente

première: 18/10/200, Teatro Monumental, Madrid / Spain. Arcángel (cantaor), Orquesta Sinfónica de la RTVE / Antoni Ros-Marbà.

P. Universal Edition 31956 / 32548 (2001)

Alternative version: ELEGÍA. FRAGMENTO 1999/2003

for flute and orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string)

première: 16/10/2003, Teatro ‘Giuseppe Verdi’ , Trieste / Italy. Orchestra Filarmonica Teatro ‘Giuseppe Verdi’, Roberto Fabbriciani (flute) / Stefano Mazzoleni


COMO EL OSCURO PEZ DEL FONDO 2001

for alto flute, percussion and sound carrier ad libitum.12’

commissioned by: Institut Valencià de la Música

première: 04/05/2001 Centre del Carme, Valencia / Spain. Roberto Fabbriciani (flute), Miguel Ángel Orero (percussion). Sound director: Mauricio Sotelo.

•   Universal Edition


RINCONETE Y CORTADILLO 2002

ballet, for electronics. 50’

Story line by Mercedes Carrillo and Raúl Comba based on the homonymus novel by Cervantes

première: 05/07/2002, Teatro del Generalife, Granada / Spain. Company Latorre. Daniel Navarro (Rinconete), Ignacio Blanco (Cortadillo). choreography: Javier Latorre

scenery: Abraham Lacalle

•   Universal Edition


CAMINO AL ANDAR 2003

Soundtrack for the documentary film by Sholeh Hejazi. 83’

script: Víctor Andresco

P. Universal Edition


CANTES ANTIGUOS 2003

for cantaor, piano and sound carrier. 10’

commissioned by: Het Muziektheater Amsterdam

text source: Persian poems of the XII century selected and arranged by the composer

première: 12/02/2003 Het Muziek-theater, Amsterdam / Netherlands. Arcángel (cantaor). Het Nationale Ballet / Kristof Pastor.

•   Universal Edition


SONETOS DEL AMOR OSCURO. CRIPTA SONORA PARA LUIGI NONO 2003/05 

for 2 cantaores, mixed choir, (4A4T4Bar4B), bass flute, double bass, ensemble (clarinet / bass clarinetbajo, 3 perc and  string trio) and sound carrier. 64’

commissioned by: Festival Internacional de Música y Danza de Granada and Institut Valencià de la Música. 64’

première: 01/07/2005, Hospital Real, Granada / Spain. Arcángel, Miguel Poveda (cantaores), Roberto Fabbriciani (flute), Uli Fussenegger (double bass) Grup Instrumental de València, Coro de la Generalitat Valenciana / Joan Cerveró. Sound director: Mauricio Sotelo. Images: Sean Scully

•   Universal Edition


DULCINEA 2005/06

A children's opera based on "Don Quijote" by Miguel de Cervantes. 55’

commissioned by: Fundación Teatro Lírico - Teatro Real de Madrid in coproduction with Gran Teatre del Liceu de Barcelona, Asociación de Amigos de la Ópera de Bilbao, Teatro de la Maestranza de Sevilla, Fundación Ópera de Oviedo, Palau de les Arts de Valencia and Sociedad Estatal de Conmemoraciones Culturales

original libretto by Andrés Ibáñez

parts: Niño (soprano), Madre / Dulcinea (mezzo-soprano), Don Quijote (countertenor), Sancho (baritone)

for ensemble (clarinet, violin, violoncello, percussion and piano) and sound carrier

première: 18/05/2006, Teatro Real, Madrid / Spain. Arantxa Armentia (Niño), Beatriz Lanza (Madre / Dulcinea), José Hernández Pastor (Don Quijote), Javier Galán (Sancho), Javier Ibarz (Cervantes); Vicente Alberola (clarinet), Margarita Sikoeva (violin), Dragos Alexander Balán (violoncello), Juanjo Rubio (percussion), Juan Carlos Garvayo (piano) / Joan Cerveró

Scenery: Gustavo Tambascio

•   Universal Edition UE 33449


WALL OF LIGHT SKY 2005/06

for ensemble (flute, clarinet, 2 violins, violoncello and percussion) and sound carrier. 12’

commissioned by: Grup Instrumental de València

première: 24/04/2006, Sendesaal Radio Bremen, Bremen / Germany. Grup Instrumental de València / Joan Cerveró

•  Universal Edition.


DE OSCURA LLAMA

for voice (cantaor), ensemble und sound carrier.50’

première: 08/12/2008, Teatro Jovellanos, Gijón / Spain. Arcángel (Cantaor), Roberto Fabbriciani (flute) Stefano Scodanibbio (double bass), Ensemble RESIDENCIAS: Carlos Glavez (clarinet), Miguel Borrego (violin), José Miguel Gómez (violoncello) Juan Carlos Garvayo (piano), Juanjo Guillem and Rafa Gálvez (percussion) / Mauricio Sotelo

•  Universal Edition


CRIPTA, MÚSICA PARA LUIGI NONO

for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

commissioned by: Salzburg Biennale (I)

première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

•  Universal Edition


MUROS DE DOLOR... V: JOSÉ ÁNGEL VALENTE-MEMORIA SONORA 2009

for violin and live electronics. 10’

première: 24/09/2009, Ourense / Spain. Raquel Rivera

•  Universal Edition


CRIPTA COLONIA GÜELL – MÚSICA PARA LA ESMUC 2010

for 2 voices (cantaoras), mixed choir, ensemble (1.0.2.0-0.0.0.0, timp, perc(2), hp, acc, pno, vln, guit, vla, vc, cb) and electronics. 25’

commissioned by: Escola Superior de Música de Catalunya

première: 25/10/2010, L’Auditori, Barcelona / Spain. Solisten-Ensemble / Mauricio Sotelo (dir.)

•  Universal Edition


MUERTE SIN FIN 2010

for for dancer, cantaor, ensemble and electronics. 34’

commissioned by: Biënale Flamenco 2011

première: 30/01/2011, Muziekgebow Amsterdam/Netherlands. Niew Ensemble / Ed Spanjaard

•  Universal Edition


ALPHA CENTAURI 2010

for ensemble and electronics. 19’

commissioned by: Ensemble Espai Sonor

première: 31/01/2011, Centro de Arte Reina Sofia, Auditorio 400, Madrid / Spain. Espai Sonor / Voro García

•  Universal Edition


MUERTE SIN FIN … COMENTARIO, a la memoria de Enrique Morente 2011

for reciter, bailaora, cantaor, ensemble and electronics. 72’

text: José Gorostiza

première: 29/06/2011, Teatro Real, Madrid / Spain. Juan Diego (recitation), Fuensanta “La Moneta” (bailaora), Arcangel (cantaor) / Mauricio Sotelo

•   Universal Edition


LUZ SOBRE LIENZO  2011

for violin, bailaora, percusssion and electronics. 40’

commissioned by: Acción Cultural Española for the 200th Anniversary of the Constitution of 1812

première: 03/12/2011 Auditorio 400, Centro de Arte Reina Sofia, Madrid / Spain.

Patricia Kopatchinskaja (vl.), Fuensanta “La Moneta”, (bailaora), Agustín Diassera (perc), Fernando Villanueva (electronics)

•   Universal Edition


MAPAS CELESTES…I  2011

for ensemble (flute, clarinet, horn, percussion, piano, violin and violoncello) and electronics. 15’

commissioned by: Sociedad Filarmónica de Badajoz

première: 01/12/2011, Badajoz / España. Neo Ars Ensemble

•   Universal Edition


CRIPTA – MÚSICA PARA MANUEL DE FALLA 2012

for ensemble and electronics. 15’

commissioned by: ContempoArt–Ensemble

première: 07/ 06. 2012, Teatro Goldoni, “Maggio musicale Fiorentino”, Firenze / Italia

ContempoArt-Ensemble / Mauro Ceccanti

•   Universal Edition


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Withdrawn works


N. Works written before 1989 have been withdrawn by the composer


Incidental music for Bodas de sangre (1986), sound carrier

Incidental music for Unter Spaniens Himmel (1986), sound carrier

Lieve (1987), sound carrier 8’52’’

première: 19/06/1988, Madrid

Incidental music for Im Dickicht der Städte (1989), sound carrier


























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