... ATMEND… 1989

for contrabass clarinet, double bass, saxophone, violoncello, piano and percussion

première: 16/03/1990, Vienna / Austria. Die Reihe / Heinz Karl Grüber

• Ariadne Verlag

QUANDO IL CIELO SI OSCURA 1989

for saxophone and ensemble (string trio, double bass, piano and percussion)

première: 13/12/1989, Auditorio Nacional de Música, Madrid / Spain. Marcus Weiss (saxophone), Grupo Círculo/José Luis Temes

• Edition Contemp-Art

NEL SUONO INDICIBILE – A LUIGI NONO 1989/90

for bass-clarinet / double bass-clarinet, alto saxophone/ tenor saxophone, violoncello and live-electronics

première: 23/04/1990, Sezession, Vienna / Austria. Ernesto Molinari (clarinet), Marcus Weiss (saxophone), Lucas Fels (violoncello) Sound director: Peter Böhm

• Ariadne Verlag

IX+, DE SUBSTANTIIS SEPARATIS 1990

for soprano, ensemble (saxophone, double bass-clarinet, tuba, piano, 2 violoncellos, double bass) and live-electronics

Text by Sotelo,  inspired by the homonymous book by Santo Thomas de Aquinas

première: 03/12/1990, ORF Grosser Sendesaal, Vienna / Austria. Margarete Jungen (soprano) Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag

NON GRIDATE PIÙ 1990/91

for 2 female voices, piano, ensemble (flute, 2 clarinets, saxophone, tuba, 2 percussions, string trio and double bass) and live-electronics

commissioned by: Fundación Juan March

text by Giuseppe Ungaretti.

première: 23/10/1992, Philharmonie Cologne / Germany.  Sarah Barrett, Renate Burtscher (voices), Kristi Becker (piano), WDR Sinfonie Orchester Köln / Hans Vonk. Sound director: Peter Böhm

• Ariadne Verlag

FLÖTENTÖNE 1991

for 8 flutes in two groups

première: 26/03/1992,  Brucknerhaus, Linz / Austria. The Vienna Flautists

• Ariadne Verlag

L’ALLEGRIA I 1992

fur ensemble (piccolo, bass-clarinet bajo, string trio, percussion and piano). 12-13’

commissioned by: Barcelona 216

première: 05/04/1993, Zagreb / Croatia. Ensemble Barcelona 216 / Ernest Martínez Izquierdo

• Ariadne Verlag

TENEBRÆ RESPONSORIA 1992/93

for cantaor, tenor saxophone, tuba, piano, duoble mixed choir and three orchestral groups.

commissioned by: Semana de Música Religiosa de Cuenca

première: 30/03/1993, Iglesia de San Pablo, Cuenca / Spain. Enrique Morente (cantaor), Marcus Weiss (saxophone), Josef Steinbock (tuba), Marino Formenti (piano), Concentus Vocalis, Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag

L’ALLEGRIA II 1993

for piccolo, bass clarinet, string trio, and piano

commissioned by: Grupo Círculo and Fundación Caja Madrid

première: 07/06/1994, Madrid / Spain. Grupo Círculo / José Luis Temes

• Ariadne Verlag

DE IMAGINUM, SIGNORUM ET IDEARUM COMPOSITIONE I 1994, rev. 1996

for ensemble (flute, clarinet, alto saxophone (Ef), tenor saxophone (Bf) - percussion (2) - piano - violoncello double bass), 14’

commissioned by: Klangforum Wien and the Wittener Kammermusiktage

première: 21/04/1995, Witten / Germany. Klangforum Wien / Peter Rundel.

•  Universal Edition 31158 (1995)

EXPULSIÓN DE LA BESTIA TRIUNFANTE 1995

for cantaor (flamenco singer), string quartet and double bass

commissioned by: Festival de las Artes Sibila

text: José Ángel Valente

première: 12/03/1996, Teatro Central, Sevilla / Spain. Enrique Morente (cantaor), Arditti Quartet, Stefano Scodanibbio (double bass).

•  Universal Edition

NADIE 1995/97

for cantaora (ossia contralto), saxophone, percussion and piano. 11’

commissioned by: Verano Musical de Segovia

text: José Ángel Valente

première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia 7 Spain. Esperanza Fernández (cantaora), Trio Accanto [Marcus Weiss (saxophone); Christian Dierstein (percussion); Yukiko Sugawara (piano)]

• Universal Edition

ÁNGEL DE LA TIERRA 1997

for 2 cantaoras (ossia contraltos), ensemble (flute, saxophone, piano, 2 perc, violoncello and double bass) and tape. 25’

commissioned by: Studio für electronische Musik des WDR Köln

première: 10/04/1999, Cologne / Germany. Marina Heredia, Eva Durán (cantaoras), De Amore Ensemble / Mauricio Sotelo.

•   Universal Edition

POSESIÓN DEL ÁNGEL 1997/2001

for cantaor (or baritone), ensemble and sound carrier. 50’

text: José Ángel Valente

•   Universal Edition

CANTA LA LUZ HERIDA POR EL HIELO. HOMENAJE A FEDERICO GARCÍA LORCA 1998

for violin and ensemble (flute, clarinet, 2 perc, string quartet and double bass) and sound carrier. 9’

commissioned by: Ensemble Modern

première: 16/02/1998, Frankfurt / Germany. Ensemble Modern / Sian Edwards

•   Universal Edition

FRAMMENTI DE L’INFINITO. LORCA-NONO DIÁLOGO DEL AMARGO 1998

for orquesta (2.2.2.2. / 2.2.2.0. / 2 perc / string) and sound carrier.12’

commissioned by: Junta de Andalucía

première: 25/06/1998, Fuentevaqueros, Granada / Spain. Orquesta Ciudad de Granada / Joan Pons

•   Universal Edition

INTERLUDIEN ZU LORCAS ‘CANCIONES POPULARES’ 1998

for flute, guitar, viola, double bass and percussion. 15’

commissioned by: Comisión Nacional del Centenario de Federico García Lorca and Ensemble 5 Innovación

première: 05/06/1998, Beethoven-Haus, Bonn / Germany. Ensemble 5 Innovación

•   Universal Edition

LECTURAS DEL LIBRO DE JOB 1998/2000

flute, string orchestra (16 14 12 10 8 ) and speaker ad libitum. 16’

commissioned by: Orquesta de la Comunidad de Madrid

text source: “Book of Job”

première: 08/06/1999, Teatro de la Zarzuela, Madrid / Spain. Roberto Fabbriciani (flute), José Luis Pellicena (speaker), Orquesta de la Comunidad de Madrid/ Pedro Alcalde

•   Universal Edition

APPASSIONATO – EN UN SILENCIO ARDIENTE 2002

for flute and ensemble (string quartet, double bass, 2 perc, hp and guitar.10’

commissioned by: Maggio Musicale Fiorentino

première: 20/05/2002, Palazzo Pitti Firenze / Italy. Roberto Fabbriciani (flute), Contempoartensemble / Mauro Ceccanti.

•  Universal Edition

DEGLI EROICI FURORI. STREICHQUARTETT N. 1 2002

for string quartet. 17’

commissioned by: Internationale Beethovenfeste Bonn

première: 24/09/2002, Beethoven-Haus, Bonn / Germany. Artemis Quartett

•   Universal Edition 31995 (2002)

CHALAN  2003

for percussion and ensemble ( 2.2.0.1. / 1.1.2.1. / 2 perc / piano / strings). 18’

commissioned by: Ensemble musikFabrik and Kulturstiftung NWR

première: 03/12/2003, Funkhaus Wallrafplatz, Cologne / Germany. Trilok Gurtu (percussion), Ensemble musikFabrik/ Stefan Asbury.

•   Universal Edition UE 32615 / 32912 (2003)

WALL OF LIGHT RED – FÜR BEAT FURRER 2003/04

for saxophone  and ensemble (1.1.1.1. / 0.1.1.0. / 3 perc / 1.1.1.1.1.) 17’

commissioned by: Klangforum Wien

première: 06/12/2004, Helmut List-Halle, Graz / Austria. Gerald Preinfalk (saxophone), Klangforum Wien / Beat Furrer.

•   Universal Edition

SONETOS DEL AMOR OSCURO. CRIPTA SONORA PARA LUIGI NONO 2003/05 

for 2 cantaores, mixed choir, (4A4T4Bar4B), bass flute, double bass, ensemble (clarinet / bass clarinetbajo, 3 perc and  string trio) and sound carrier. 64’

commissioned by: Festival Internacional de Música y Danza de Granada and Institut Valencià de la Música. 64’

première: 01/07/2005, Hospital Real, Granada / Spain. Arcángel, Miguel Poveda (cantaores), Roberto Fabbriciani (flute), Uli Fussenegger (double bass) Grup Instrumental de València, Coro de la Generalitat Valenciana / Joan Cerveró. Sound director: Mauricio Sotelo. Images: Sean Scully

•   Universal Edition

CUADERNO DE DANZAS 2004

for violin  and ensemble (1.0.1.1. / 1.1.0.0. / perc / hp /guit / 1.0.1.1.1.) 20’

commissioned by: Contempoartensemble

première: 06/12/2004, Teatro Pergola, Florence / Italy. Duccio Ceccanti (violin) Contempoartensemble / Mauro Ceccanti

1. •  Universal Edition
   

RAÍZ DEL AIRE 2005/06

for cantaor and ensemble (flute, clarinet, violin, violoncello y percussion)

première: 24/04/2006 Sendesaal Radio Bremen, Bremen / Germany. Antonio Vélez ‘Pitingo’ (cantaor), Grup Instrumental de València / Joan Cerveró

•   Universal Edition UE 33583 / 33585 (2006)

WALL OF LIGHT BLACK – FOR SEAN SCULLY 2005/06

for saxophone and ensemble (1.1.1.1. / 1.1.1.1. / 2 perc / piano / 1.1.1.1.1.) 16’

commissioned by: musikFabrik and Kunststifung NRW

première: 27/08/2006 Funkhaus Cologne / Germany. Marcus Weiss (saxophone), musikFabrik / Brad Lubman

•   Universal Edition UE 332217 / 33220 (2006)

WALL OF LIGHT SKY 2005/06

for ensemble (flute, clarinet, 2 violins, violoncello and percussion) and sound carrier. 12’

commissioned by: Grup Instrumental de València

première: 24/04/2006, Sendesaal Radio Bremen, Bremen / Germany. Grup Instrumental de València / Joan Cerveró

•  Universal Edition.

NIGHT 2007

for percussion and ensemble (1.1.2.1. / 1.1.1.0. / 2 perc / hp / piano / 1.1.1.1.1.) 25’

commissioned by: Casa da Música de Oporto for Remix Ensemble

première: 16/06/2007, Casa da Música, Oporto / Portugal. Miquel Bernat (percussion ), Remix Ensemble / Emilio Pomàrico.

•  Universal Edition

DE OSCURA LLAMA  2008

for voice (cantaor), ensemble und sound carrier.50’

première: 08/12/2008, Teatro Jovellanos, Gijón / Spain. Arcángel (Cantaor), Roberto Fabbriciani (flute) Stefano Scodanibbio (double bass), Ensemble RESIDENCIAS: Carlos Glavez (clarinet), Miguel Borrego (violin), José Miguel Gómez (violoncello) Juan Carlos Garvayo (piano), Juanjo Guillem and Rafa Gálvez (percussion) / Mauricio Sotelo

•  Universal Edition

CRIPTA, MÚSICA PARA LUIGI NONO 2009

for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

commissioned by: Salzburg Biennale (I)

première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

•  Universal Edition

COMO LLORA EL VIENTO… 2009

for guitar and ensemble. 23’

commissioned by: Grup Instrumental de Valencia

première: 18/09/2009,Teatro Principal, Alicante /Spain. Juan Manuel Cañizares (guitar), Grup Instrumental de Valencia /Joan Cerveró

•  Universal Edition

ALTER KLANG 2009-2010

for cantaor, guitar and string quartet

commissioned by: Quatuor Diotima

première: 17/02/2010, Auditorio Nacional de Música, Madrid / Spain. Quatuor Diotima, JM Cañizares (guitar), Arcángel (cantaor)

•  Universal Edition

CRIPTA COLONIA GÜELL – MÚSICA PARA LA ESMUC 2010

for 2 voices (cantaoras), mixed choir, ensemble (1.0.2.0-0.0.0.0, timp, perc(2), hp, acc, pno, vln, guit, vla, vc, cb) and electronics. 25’

commissioned by: Escola Superior de Música de Catalunya

première: 25/10/2010, L’Auditori, Barcelona / Spain. Solisten-Ensemble / Mauricio Sotelo (dir.)

•  Universal Edition

MUERTE SIN FIN 2010

for for dancer, cantaor and ensemble. 34’

commissioned by: Biënale Flamenco 2011

première: 30/01/2011, Muziekgebow Amsterdam/Netherlands. Niew Ensemble / Ed Spanjaard

•  Universal Edition

ALPHA CENTAURI 2010

for ensemble and electronics. 19’

commissioned by: Ensemble Espai Sonor

première: 31/01/2011, Centro de Arte Reina Sofia, Auditorio 400, Madrid / Spain. Espai Sonor / Voro García

•  Universal Edition

MUERTE SIN FIN … COMENTARIO, a la memoria de Enrique Morente 2011

for reciter, bailaora, cantaor, ensemble and electronics. 72’

text: José Gorostiza

première: 29/06/2011, Teatro Real, Madrid / Spain. Juan Diego (recitation), Fuensanta “La Moneta” (bailaora), Arcangel (cantaor) / Mauricio Sotelo

•   Universal Edition

MAPAS CELESTES…I  2011

for ensemble (flute, clarinet, horn, percussion, piano, violin and violoncello) and electronics. 15’

commissioned by: Sociedad Filarmónica de Badajoz

première: 01/12/2011, Badajoz / España. Neo Ars Ensemble

•   Universal Edition

AZUL DE LONTANANZA  2012

for string sextet. 10’

commissioned by: Instituto Italiano de Cultura de Madrid

première: 05/ 05/ 2012. Teatro alla Scala, Milano / Italia

    10. 05. 2012. Auditorio Nacional de Música. Madrid /España

Sestetto d'archi dell'Accademia del Teatro alla Scala 

•   Universal Edition

KlangMuro …II  2012

for ensemble (principal violin). 17’

commissioned by: IVM and CNDM/Inaem

première: 29/05/2012, Centro del Carmen, Valencia / España,

        30/05/2012, Auditorio Nacional de Música, Madrid / España

Mª Carmen Antequera (violin), Grup Instrumental/ Jordi Bernàcer

•   Universal Edition

CRIPTA – MÚSICA PARA MANUEL DE FALLA 2012

for ensemble and electronics. 15’

commissioned by: ContempoArt–Ensemble

première: 07/ 06. 2012, Teatro Goldoni, “Maggio musicale Fiorentino”, Firenze / Italia

ContempoArt-Ensemble / Mauro Ceccanti

1. •  Universal Edition
   

RED INNER LIGHT SCULPTURE 2015

for violin, bailaora [Flamenco-Tänzerin], flamenco–percussion and string orchestra. 22’

commissioned by: Patricia Kopatchinskaja / Praetorius Prize

première: 10, 11, 12/06/2016, Ordaway Hall, St. Paul / Minnesota 2016; 20’

Patricia Kopatchinskaja (Vl.), Ruben Olmo (bailaor), Agustín Diassera (perc), St. Paul Chamber Orchestra / Tito Muñoz.

(Also performable without bailaora and flamenco percussion)

•   Universal Edition

PLAZA ALTA 2016

for ensemble [Fl., Clar., Alt-Sax., Vl., Vc., Pn., Perc.] 5’

commissioned by: Sociedad Filarmónica de Badajoz/CNDM

première: 17/10/2016, Badajoz. Sonido Extremo/ Jordi Francés

•   Proyecto Sotelo SL