Catalogue
 

     © 2013 by Proyecto Sotelo SL / Madrid  •  Berlin





IX+, DE SUBSTANTIIS SEPARATIS 1990

for soprano, ensemble (saxophone, double bass-clarinet, tuba, piano, 2 violoncellos, double bass) and live-electronics

Text by Sotelo,  inspired by the homonymous book by Santo Thomas de Aquinas

première: 03/12/1990, ORF Grosser Sendesaal, Vienna / Austria. Margarete Jungen (soprano) Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag


DUE VOCI…, COME UN SOFFIO DALL’ESTREMA LONTANANZA 1990/91

for clarinet, saxophone, female choir, orchestra and live-electronics

commissioned by the ORTVE

text: Thomas Aquinas, Rainer Maria Rilke and Massimo Cacciari

première: 05/02/1991, Teatro Monumental, Madrid / Spain. Ernesto Molinari (clarinet), Marcus Weiss (saxophone), Orquesta y Coro de la RTVE / José Ramón Encinar. Sound director: Peter Böhm

• Universal Edition


NON GRIDATE PIÙ 1990/91

for 2 female voices, piano, ensemble (flute, 2 clarinets, saxophone, tuba, 2 percussions, string trio and double bass) and live-electronics

commissioned by: Fundación Juan March

text by Giuseppe Ungaretti.

première: 23/10/1992, Philharmonie Cologne / Germany.  Sarah Barrett, Renate Burtscher (voices), Kristi Becker (piano), WDR Sinfonie Orchester Köln / Hans Vonk. Sound director: Peter Böhm

• Ariadne Verlag


TENEBRÆ RESPONSORIA 1992/93

for cantaor, tenor saxophone, tuba, piano, duoble mixed choir and three orchestral groups.

commissioned by: Semana de Música Religiosa de Cuenca

première: 30/03/1993, Iglesia de San Pablo, Cuenca / Spain. Enrique Morente (cantaor), Marcus Weiss (saxophone), Josef Steinbock (tuba), Marino Formenti (piano), Concentus Vocalis, Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag


EXPULSIÓN DE LA BESTIA TRIUNFANTE 1995

for cantaor (flamenco singer), string quartet and double bass

commissioned by: Festival de las Artes Sibila

text: José Ángel Valente

première: 12/03/1996, Teatro Central, Sevilla / Spain. Enrique Morente (cantaor), Arditti Quartet, Stefano Scodanibbio (double bass).

•  Universal Edition


NADIE 1995/97

for cantaora (ossia contralto), saxophone, percussion and piano. 11’

commissioned by: Verano Musical de Segovia

text: José Ángel Valente

première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia 7 Spain. Esperanza Fernández (cantaora), Trio Accanto [Marcus Weiss (saxophone); Christian Dierstein (percussion); Yukiko Sugawara (piano)]

• Universal Edition


DE AMORE. UNA MASCHERA DI CENERE 1996/99

chamber opera, 100’

parts: Woman (soprano) / Man (baritone) / Ginesa (cantaora) / Marina (cantaora)

for ensemble (flute, clarinet, saxophone, violin, violoncello, double bass, 2 percussions and piano), tape and live electronics

librettist: Peter Mussbach

commissioned by: City of Munich for the Münchener Biennale

première: 19/04/1999, Gasteig, Munich / Germany.  Salome Kammer (Woman), Markus Eiche (Man), Eva Durán (Ginesa), Marina Heredia (Marina). Roberto Fabbriciani (flute), Ernesto Molinari (clarinet), Yves Savary (violoncello), Marcus Weiss (saxophone), Johannes Nied (double bass), Stefan Blum, Christian Dierstein (percussion), Yukiko Sugawara (piano) / Mauricio Sotelo

scenery: Peter Mussbach.

•  Universal Edition


ÁNGEL DE LA TIERRA 1997

for 2 cantaoras (ossia contraltos), ensemble (flute, saxophone, piano, 2 perc, violoncello and double bass) and tape. 25’

commissioned by: Studio für electronische Musik des WDR Köln

première: 10/04/1999, Cologne / Germany. Marina Heredia, Eva Durán (cantaoras), De Amore Ensemble / Mauricio Sotelo.

•   Universal Edition


EPITAFIO 1997

for cantaora (or contralto) y percussion. 8’

commissioned by: Verano Musical de Segovia

text: José Ángel Valente

première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia / Spain. Esperanza Fernández (cantaora), Christian Dierstein (percussion)

•   Universal Edition


IN PACE 1997

for cantaora (or contralto), percussion and sound carrier. 12’

text: José Ángel Valente

première: 01/10/1997, Madrid. Carmen Linares (cantaora), Christian Dierstein (percussion).

•   Universal Edition.


POSESIÓN DEL ÁNGEL 1997/2001

for cantaor (or baritone), ensemble and sound carrier. 50’

text: José Ángel Valente

•   Universal Edition


LECTURAS DEL LIBRO DE JOB 1998/2000

flute, string orchestra (16 14 12 10 8 ) and speaker ad libitum. 16’

commissioned by: Orquesta de la Comunidad de Madrid

text source: “Book of Job”

première: 08/06/1999, Teatro de la Zarzuela, Madrid / Spain. Roberto Fabbriciani (flute), José Luis Pellicena (speaker), Orquesta de la Comunidad de Madrid/ Pedro Alcalde

•   Universal Edition


SI DESPUÉS DE MORIR… IN MEMORIAM JOSÉ ÁNGEL VALENTE 1999/2000

for cantaor (or contralto), orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string) and sound carrier. 18’

text: José Ángel Valente

première: 18/10/200, Teatro Monumental, Madrid / Spain. Arcángel (cantaor), Orquesta Sinfónica de la RTVE / Antoni Ros-Marbà.

P. Universal Edition 31956 / 32548 (2001)

Alternative version: ELEGÍA. FRAGMENTO 1999/2003

for flute and orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string)

première: 16/10/2003, Teatro ‘Giuseppe Verdi’ , Trieste / Italy. Orchestra Filarmonica Teatro ‘Giuseppe Verdi’, Roberto Fabbriciani (flute) / Stefano Mazzoleni


CANTES ANTIGUOS 2003

for cantaor, piano and sound carrier. 10’

commissioned by: Het Muziektheater Amsterdam

text source: Persian poems of the XII century selected and arranged by the composer

première: 12/02/2003 Het Muziek-theater, Amsterdam / Netherlands. Arcángel (cantaor). Het Nationale Ballet / Kristof Pastor.

•   Universal Edition


AUDÉEIS 2004

for voice (cantaor) and string quartet. 20’

commissioned by: Fundación Caja Madrid

première: 27/10/2004, Auditorio Nacional de Música, Madrid. Artemis Quartett, Arcángel (cantaor)

•   Universal Edition


SONETOS DEL AMOR OSCURO. CRIPTA SONORA PARA LUIGI NONO 2003/05 

for 2 cantaores, mixed choir, (4A4T4Bar4B), bass flute, double bass, ensemble (clarinet / bass clarinetbajo, 3 perc and  string trio) and sound carrier. 64’

commissioned by: Festival Internacional de Música y Danza de Granada and Institut Valencià de la Música. 64’

première: 01/07/2005, Hospital Real, Granada / Spain. Arcángel, Miguel Poveda (cantaores), Roberto Fabbriciani (flute), Uli Fussenegger (double bass) Grup Instrumental de València, Coro de la Generalitat Valenciana / Joan Cerveró. Sound director: Mauricio Sotelo. Images: Sean Scully

•   Universal Edition


DULCINEA 2005/06

A children's opera based on "Don Quijote" by Miguel de Cervantes. 55’

commissioned by: Fundación Teatro Lírico - Teatro Real de Madrid in coproduction with Gran Teatre del Liceu de Barcelona, Asociación de Amigos de la Ópera de Bilbao, Teatro de la Maestranza de Sevilla, Fundación Ópera de Oviedo, Palau de les Arts de Valencia and Sociedad Estatal de Conmemoraciones Culturales

original libretto by Andrés Ibáñez

parts: Niño (soprano), Madre / Dulcinea (mezzo-soprano), Don Quijote (countertenor), Sancho (baritone)

for ensemble (clarinet, violin, violoncello, percussion and piano) and sound carrier

première: 18/05/2006, Teatro Real, Madrid / Spain. Arantxa Armentia (Niño), Beatriz Lanza (Madre / Dulcinea), José Hernández Pastor (Don Quijote), Javier Galán (Sancho), Javier Ibarz (Cervantes); Vicente Alberola (clarinet), Margarita Sikoeva (violin), Dragos Alexander Balán (violoncello), Juanjo Rubio (percussion), Juan Carlos Garvayo (piano) / Joan Cerveró

Scenery: Gustavo Tambascio

•   Universal Edition UE 33449


RAÍZ DEL AIRE 2005/06

for cantaor and ensemble (flute, clarinet, violin, violoncello y percussion)

première: 24/04/2006 Sendesaal Radio Bremen, Bremen / Germany. Antonio Vélez ‘Pitingo’ (cantaor), Grup Instrumental de València / Joan Cerveró

•   Universal Edition UE 33583 / 33585 (2006)


MUROS DE DOLOR… IV – SOLEÁ DE UTRERA 2007

for cantaor, saxophone and percussion. 10’

commissioned by: Dúo Lorca and Año Jubilar V Centenario de Utrera

première: 14/12/2007, Teatro Municipal ‘Enrique de la Cuadra’ Utrera / Spain. Rafael de Utrera (cantaor), Dúo Lorca [Juan Jiménez, saxophone; Antonio Moreno, percussion]

•  Universal Edition


EL RAYO DE TINIEBLA 2007/08

for cantaor, choir and orchestra

commissioned by: Orquesta de la Comunidad de Madrid

première: 04/06/2008, Auditorio Nacional de Música, Madrid / Spain. Arcángel (cantaor) ,Orquesta y Coro de la Comunidad de Madrid / José Ramón Encinar

•  Universal Edition


DE OSCURA LLAMA

for voice (cantaor), ensemble und sound carrier.50’

première: 08/12/2008, Teatro Jovellanos, Gijón / Spain. Arcángel (Cantaor), Roberto Fabbriciani (flute) Stefano Scodanibbio (double bass), Ensemble RESIDENCIAS: Carlos Glavez (clarinet), Miguel Borrego (violin), José Miguel Gómez (violoncello) Juan Carlos Garvayo (piano), Juanjo Guillem and Rafa Gálvez (percussion) / Mauricio Sotelo

•  Universal Edition


CRIPTA, MÚSICA PARA LUIGI NONO

for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

commissioned by: Salzburg Biennale (I)

première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

•  Universal Edition


ARDE EL ALBA 2008/09

for soprano, cantaor, choir and orchestra. 24’

commissioned by: Orquesta Nacional de España.

première: 04/03/2009, Auditorio Nacional, Madrid / Spain. Milagros Poblador (soprano), Arcángel (cantaor),Orquesta y Coro Nacional de España/ Josep Pons

•   Universal Edition


ALTER KLANG 2009-2010

for cantaor, guitar and string quartet

commissioned by: Quatuor Diotima

première: 17/02/2010, Auditorio Nacional de Música, Madrid / Spain. Quatuor Diotima, JM Cañizares (guitar), Arcángel (cantaor)

•  Universal Edition


CRIPTA COLONIA GÜELL – MÚSICA PARA LA ESMUC 2010

for 2 voices (cantaoras), mixed choir, ensemble (1.0.2.0-0.0.0.0, timp, perc(2), hp, acc, pno, vln, guit, vla, vc, cb) and electronics. 25’

commissioned by: Escola Superior de Música de Catalunya

première: 25/10/2010, L’Auditori, Barcelona / Spain. Solisten-Ensemble / Mauricio Sotelo (dir.)

•  Universal Edition


MUERTE SIN FIN 2010

for for dancer, cantaor ensemble and electronics. 34’

commissioned by: Biënale Flamenco 2011

première: 30/01/2011, Muziekgebow Amsterdam/Netherlands. Niew Ensemble / Ed Spanjaard

•  Universal Edition


MUERTE SIN FIN … COMENTARIO, a la memoria de Enrique Morente 2011

for reciter, bailaora, cantaor, ensemble and electronics. 72’

text: José Gorostiza

première: 29/06/2011, Teatro Real, Madrid / Spain. Juan Diego (recitation), Fuensanta “La Moneta” (bailaora), Arcangel (cantaor) / Mauricio Sotelo

•   Universal Edition





Withdrawn works


N. Works written before 1989 have been withdrawn by the composer


Cori (1982), mixed choir

Málaga (1984), soprano and ensemble (flute, clarinet, horn, percussion, guitar and string trio)

El Guardián de la Posibilidad I 1987

for soprano and ensemble (1.1.1.0. / trombone / piano / percussion /guitar /                               viola, violoncello) 17’

Text by Andrés Ibáñez

première: 08/02/1987, Círculo de Bellas Artes, Madrid / Spain. Adelina Álvarez (soprano), Grupo Círculo / José Luis Temes.




























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