MÚSICA EXTREMADA 1986

for orchestra

première: 16/01/1988, Teatro Real, Madrid / Spain. Joven Orquesta Nacional de España / Edmon Colomer

• Proyecto Sotelo SL

TRIO BASSO – A R. H. R. 1988/89

for viola, violoncello and double bass

première: 24/04/1989, Odeon Theater, Vienna / Austria. Klangforum Wien

• Ariadne Verlag

... ATMEND… 1989

for contrabass clarinet, double bass, saxophone, violoncello, piano and percussion

première: 16/03/1990, Vienna / Austria. Die Reihe / Heinz Karl Grüber

• Ariadne Verlag

QUANDO IL CIELO SI OSCURA 1989

for saxophone and ensemble (string trio, double bass, piano and percussion)

première: 13/12/1989, Auditorio Nacional de Música, Madrid / Spain. Marcus Weiss (saxophone), Grupo Círculo/José Luis Temes

• Edition Contemp-Art

NEL SUONO INDICIBILE – A LUIGI NONO 1989/90

for bass-clarinet / double bass-clarinet, alto saxophone/ tenor saxophone, violoncello and live-electronics

première: 23/04/1990, Sezession, Vienna / Austria. Ernesto Molinari (clarinet), Marcus Weiss (saxophone), Lucas Fels (violoncello) Sound director: Peter Böhm

• Ariadne Verlag

IX+, DE SUBSTANTIIS SEPARATIS 1990

for soprano, ensemble (saxophone, double bass-clarinet, tuba, piano, 2 violoncellos, double bass) and live-electronics

Text by Sotelo, inspired by the homonymous book by Santo Thomas de Aquinas

première: 03/12/1990, ORF Grosser Sendesaal, Vienna / Austria. Margarete Jungen (soprano) Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag

DUE VOCI…, COME UN SOFFIO DALL’ESTREMA LONTANANZA 1990/91

for clarinet, saxophone, female choir, orchestra and live-electronics

commissioned by the ORTVE

text: Thomas Aquinas, Rainer Maria Rilke and Massimo Cacciari

première: 05/02/1991, Teatro Monumental, Madrid / Spain. Ernesto Molinari (clarinet), Marcus Weiss (saxophon), Orquesta y Coro de la RTVE / José Ramón Encinar. Sound director: Peter Böhm

• Universal Edition

NON GRIDATE PIÙ 1990/91

for 2 female voices, piano, ensemble (flute, 2 clarinets, saxophone, tuba, 2 percussions, string trio and double bass) and live-electronics

commissioned by: Fundación Juan March

text by Giuseppe Ungaretti.

première: 23/10/1992, Philharmonie Cologne / Germany. Sarah Barrett, Renate Burtscher (voices), Kristi Becker (piano), WDR Sinfonie Orchester Köln / Hans Vonk. Sound director: Peter Böhm

• Ariadne Verlag

CHEZ SOI SANS SOI 1991

for 2 flutes, sound carrier and live-electronics

première: 20/01/1992, Wiener Konzerthaus, Vienna / Austria. Eva Furrer, Sylvie Lacroix (flutes)

• Ariadne Verlag

FLÖTENTÖNE 1991

for 8 flutes in two groups

première: 26/03/1992, Brucknerhaus, Linz / Austria. The Vienna Flautists

• Ariadne Verlag

L’ALLEGRIA I 1992

fur ensemble (piccolo, bass-clarinet bajo, string trio, percussion and piano). 12-13’

commissioned by: Barcelona 216

première: 05/04/1993, Zagreb / Croatia. Ensemble Barcelona 216 / Ernest Martínez Izquierdo

• Ariadne Verlag

TENEBRÆ RESPONSORIA 1992/93

for cantaor, tenor saxophone, tuba, piano, duoble mixed choir and three orchestral groups.

commissioned by: Semana de Música Religiosa de Cuenca

première: 30/03/1993, Iglesia de San Pablo, Cuenca / Spain. Enrique Morente (cantaor), Marcus Weiss (saxophone), Josef Steinbock (tuba), Marino Formenti (piano), Concentus Vocalis, Klangforum Wien / Mauricio Sotelo

• Ariadne Verlag

L’ALLEGRIA II 1993

for piccolo, bass clarinet, string trio, and piano

commissioned by: Grupo Círculo and Fundación Caja Madrid

première: 07/06/1994, Madrid / Spain. Grupo Círculo / José Luis Temes

• Ariadne Verlag

ROSE IN FIAMME 1993/94

for piano and for orchestral groups

commissioned by: Orquesta Nacional de España

première: 11/03/1994, Auditorio Nacional de Música, Madrid / Spain. Massimiliano Damerini (piano), Orquesta Nacional de España / José Ramón Encinar

revised version 1997/98 as AL FUEGO, EL MAR, for piano and for orchestral groups [4.0.4.4. / alto and tenor sax / 6.5.4.2. / 4 perc / 2 hp / str] 25’

première of the revised version: 16/10/1998, Donaueschingen. Yukiko Sugawara (piano) SWF Orchester Baden-Baden/Jürg Wyttenbach

• Universal Edition

MEMORIÆ. Escritura interna sobre un espacio poético de José Ángel Valente 1994

for violoncello and double bass, 12’

commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) for the Festival Internacional de Música Contemporánea de Alicante 1994

première: 23/09/1994 Auditorio de la Caja de Ahorros del Mediterráneo, Alicante / Spain. Rohan de Saram (violoncello), Stefano Scodanibbio (double bass)

• Universal Edition UE 30230 (1994)

SU UN OCEANO DI SCAMPANELLII 1994/95

for piano, 24’

commissioned by: Saarländischer Rundfunk

première: 16/05/1996, Saarbrücken / Germany. Massimiliano Damerini (piano)

• Universal Edition 30167 (1995)

from it: Scherzo (I–II–III–VII–VIII–X) [ca. 9'] Cadenza (V) [ca. 3'30"]

DE IMAGINUM, SIGNORUM ET IDEARUM COMPOSITIONE I 1994, rev. 1996

for ensemble (flute, clarinet, alto saxophone (Eb), tenor saxophone (Bb) - percussion (2) - piano - violoncello double bass), 14’

commissioned by: Klangforum Wien and the Wittener Kammermusiktage

première: 21/04/1995, Witten / Germany. Klangforum Wien / Peter Rundel.

• Universal Edition 31158 (1995)

ANIMALES CELESTES 1995

for 1,2,3 or 4 violoncellos, 4-12’

commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) for the Aula de Música de la Universidad de Alcalá de Henares

première: 05/12/1998. Alcalá de Henares / Spain

• Quodlibet, 3 (october 1995) / Universal Edition UE 30363 (1996)

DE AMORE 1995

for violonchelo, 9’

commissioned by: City of Munich.

première: 05/11/1996. Gasteig, Munich / Germany. Yves Savary (violoncello)

• Universal Edition UE 30335 (1995)

DE MAGIA 1995

for alto or tenor saxophone, percussion and piano,14’

commissioned by: Kultursministerium Württenberg

première: 01/02/1996, Stadt Galerie, Saarbrücken / Germany. Trio Accanto [Marcus Weiss (saxophone), Christian Dierstein (percussion), Yukiko Sugawara (piano)]

• Universal Edition UE 30253/30254 (1995)

EXPULSIÓN DE LA BESTIA TRIUNFANTE 1995

for cantaor (flamenco singer), string quartet and double bass

commissioned by: Festival de las Artes Sibila

text: José Ángel Valente

première: 12/03/1996, Teatro Central, Sevilla / Spain. Enrique Morente (cantaor), Arditti Quartet, Stefano Scodanibbio (double bass).

• Universal Edition

NADIE 1995/97

for cantaora (ossia contralto), saxophone, percussion and piano. 11’

commissioned by: Verano Musical de Segovia

text: José Ángel Valente

première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia 7 Spain. Esperanza Fernández (cantaora), Trio Accanto [Marcus Weiss (saxophone); Christian Dierstein (percussion); Yukiko Sugawara (piano)]

• Universal Edition

EL AMOR IMPOSIBLE 1996

for guitar. 3’

première: 17/08/1996 Iglesia de Santa Marina, Udalla (Cantabria) / Spain. Gabriel Estarellas (guitar)

• Álbum de Colien para guitarra (Barcelona: Ediciones Cecilia Colien Honegger, 2000 [1998]), pp. 73-75.

TRAMA, IL FLAUTO DI MARSIA 1996

for flute. 22’

commissioned by: Fondazione Gustav Mahler de Cortona

première: 13/07/1997,Cortona / Italy. Roberto Fabbriciani (flute)

• Universal Edition

DE L’INFINITO, UNIVERSO E MONDI 1996/97

for solo violin, orchestra (2.3.2.2. / alto sax / 4.3.2.1. / 3 perc / hp / string) and sound carrier. 25’

commissioned by: Saarländischer Rundfunk

première:12/09/1997, Saarbrücken / Germany. RSO-Saarbrücken / Michael Stern.

• Universal Edition

DE AMORE. UNA MASCHERA DI CENERE 1996/99

chamber opera, 100’

parts: Woman (soprano) / Man (baritone) / Ginesa (cantaora) / Marina (cantaora)

for ensemble (flute, clarinet, saxophone, violin, violoncello, double bass, 2 percussions and piano), tape and live electronics

librettist: Peter Mussbach

commissioned by: City of Munich for the Münchener Biennale

première: 19/04/1999, Gasteig, Munich / Germany. Salome Kammer (Woman), Markus Eiche (Man), Eva Durán (Ginesa), Marina Heredia (Marina). Roberto Fabbriciani (flute), Ernesto Molinari (clarinet), Yves Savary (violoncello), Marcus Weiss (saxophone), Johannes Nied (double bass), Stefan Blum, Christian Dierstein (percussion), Yukiko Sugawara (piano) / Mauricio Sotelo

scenery: Peter Mussbach.

• Universal Edition

ANGEL DE LA TIERRA 1997

for 2 cantaoras (ossia contraltos), ensemble (flute, saxophone, piano, 2 perc, violoncello and double bass) and tape. 25’

commissioned by: Studio für electronische Musik des WDR Köln

première: 10/04/1999, Cologne / Germany. Marina Heredia, Eva Durán (cantaoras), De Amore Ensemble / Mauricio Sotelo.

• Universal Edition

ARGOS 1997

for alto or tenor saxophone. 22’

commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) / Ministerio de Cultura

première: 11/07/1997 Iglesia de San Juan de los Caballeros, Segovia / Spain. Marcus Weiss (saxophone)

• Universal Edition UE 30368 (1997)

from it: Liebeslied I –parts I, II and IV– [saxophone alto, 8’]; Liebeslied II –parts VI, IX and X– [saxophone tenor, 9’] and Cantabile amoroso –parts IV and VI– [ soprano, alto or tenor saxophone, 6’]

CANTABILE AMOROSO 1997

for alto or tenor saxophone. 22’

fragment of "ARGOS"

• Universal Edition

EPITAFIO 1997

for cantaora (or contralto) y percussion. 8’

commissioned by: Verano Musical de Segovia

text: José Ángel Valente

première: 11/07/1997, Iglesia de San Juan de los Caballeros, Segovia / Spain. Esperanza Fernández (cantaora), Christian Dierstein (percussion)

• Universal Edition

IN PACE 1997

for cantaora (or contralto), percussion and sound carrier. 12’

text: José Ángel Valente

première: 01/10/1997, Madrid. Carmen Linares (cantaora), Christian Dierstein (percussion).

• Universal Edition.

AL FUEGO, EL MAR 1997/98

s. ROSE IN FIAMME

(1993/94)

• Universal Edition

POSESIÓN DEL ÁNGEL 1997/2001

for cantaor (or baritone), ensemble and sound carrier. 50’

text: José Ángel Valente

• Universal Edition

CANTA LA LUZ HERIDA POR EL HIELO. HOMENAJE A FEDERICO GARCÍA LORCA 1998

for violin and ensemble (flute, clarinet, 2 perc, string quartet and double bass) and sound carrier. 9’

commissioned by: Ensemble Modern

première: 16/02/1998, Frankfurt / Germany. Ensemble Modern / Sian Edwards

• Universal Edition

DEL AURA AL SUSPIRAR 1998

for double bass-flute (or bass-flute) and sound carrier.12’

commissioned by: Roberto Fabbriciani

première: 21/07/1998, Cividale del Friuli / Italy. Roberto Fabbriciani (double bass-flute). Sound director: Alvise Vidolin

• Universal Edition UE 31832

FRAMMENTI DE L’INFINITO. LORCA-NONO DIÁLOGO DEL AMARGO 1998

for orquesta (2.2.2.2. / 2.2.2.0. / 2 perc / string) and sound carrier.12’

commissioned by: Junta de Andalucía

première: 25/06/1998, Fuentevaqueros, Granada / Spain. Orquesta Ciudad de Granada / Joan Pons

• Universal Edition

INTERLUDIEN ZU LORCAS ‘CANCIONES POPULARES’ 1998

for flute, guitar, viola, double bass and percussion. 15’

commissioned by: Comisión Nacional del Centenario de Federico García Lorca and Ensemble 5 Innovación

première: 05/06/1998, Beethoven-Haus, Bonn / Germany. Ensemble 5 Innovación

• Universal Edition

LECTURAS DEL LIBRO DE JOB 1998/2000

flute, string orchestra (16 14 12 10 8 ) and speaker ad libitum. 16’

commissioned by: Orquesta de la Comunidad de Madrid

text source: “Book of Job”

première: 08/06/1999, Teatro de la Zarzuela, Madrid / Spain. Roberto Fabbriciani (flute), José Luis Pellicena (speaker), Orquesta de la Comunidad de Madrid/ Pedro Alcalde

• Universal Edition

PECES DEL AIRE 1999

guitar and violoncello. 20’

commissioned by: Saarländischer Rundfunk

première: 04/06/1999 Funkhaus Halberg, Saarbrücken / Germany. Stefan Schmidt (guitar), Ramón Jaffé (violoncello)

• Universal Edition

CENA DE LAS CENIZAS 1999/2000

for orchestra (3.3.3.3. / 4.2.3.1. / 2 perc / hp / string). 25’

commissioned by: Orquesta Sinfónica de Galicia

première: 03/10/2001, Palacio de Congresos y de la Ópera, La Coruña / Spain. Orquesta Sinfónica de Galicia / José Ramón Encinar.

• Universal Edition

SI DESPUÉS DE MORIR… IN MEMORIAM JOSÉ ÁNGEL VALENTE 1999/2000

for cantaor (or contralto), orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string) and sound carrier. 18’

text: José Ángel Valente

première: 18/10/200, Teatro Monumental, Madrid / Spain. Arcángel (cantaor), Orquesta Sinfónica de la RTVE / Antoni Ros-Marbà.

P. Universal Edition 31956 / 32548 (2001)

Alternative version: ELEGÍA. FRAGMENTO 1999/2003

for flute and orchestra (2.2.2.2. / 4.2.3.1. / 3 perc / string)

première: 16/10/2003, Teatro ‘Giuseppe Verdi’ , Trieste / Italy. Orchestra Filarmonica Teatro ‘Giuseppe Verdi’, Roberto Fabbriciani (flute) / Stefano Mazzoleni

CABALA DEL CABALLO 2000

for guitar and harpsichord. 9’

commissioned by: Elisabeth Chojnacka and Radio France

première: 07/02/2000, Maison de Radio France, Paris. Stefan Schmidt (guitar), Elisabeth Chojnacka (harpsichord)

• Universal Edition

COMO EL OSCURO PEZ DEL FONDO 2001

for alto flute, percussion and sound carrier ad libitum.12’

commissioned by: Institut Valencià de la Música

première: 04/05/2001 Centre del Carme, Valencia / Spain. Roberto Fabbriciani (flute), Miguel Ángel Orero (percussion). Sound director: Mauricio Sotelo.

• Universal Edition

DE VINCULIS: GE-BURT. A FRANCIS BURT 2001

for violin. 12’

commissioned by: Centro para la Difusión de la Música Contemporánea / Ministerio de Cultura.

preview: 06/042001, Universität für Musik und darstellende Kunst, Vienna / Austria. Joanna Lewis (violin)

première: 28/02/2002, Auditorio Nacional de Música, Madrid / Spain. Joanna Lewis (violin)

• Universal Edition UE 31871 (2001)

DE VINCULIS: GONG. A NURIA SCHÖNBERG NONO 2001

for percussion. 14’

commissioned by: Centro de Estudios Neopercusión

première: 28/02/2002, Auditorio Nacional de Música, Madrid / Spain. Juanjo Guillem (percussion)

• Universal Edition UE 31991 (2001)

ESTREMECIDO POR EL VIENTO. CANTO A FEDERICO PARA VIOLÍN SOLO 2001

for violin. 4-5’

composed for Sian Philips

première: 25/072003, London / UK. Sian Philips (violin)

• Universal Edition UE 32614 (2003)

APPASSIONATO – EN UN SILENCIO ARDIENTE 2002

for flute and ensemble (string quartet, double bass, 2 perc, hp and guitar.10’

commissioned by: Maggio Musicale Fiorentino

première: 20/05/2002, Palazzo Pitti Firenze / Italy. Roberto Fabbriciani (flute), Contempoartensemble / Mauro Ceccanti.

• Universal Edition

DEGLI EROICI FURORI. STREICHQUARTETT N. 1 2002

for string quartet. 17’

commissioned by: Internationale Beethovenfeste Bonn

première: 24/09/2002, Beethoven-Haus, Bonn / Germany. Artemis Quartett

• Universal Edition 31995 (2002)

RINCONETE Y CORTADILLO 2002

ballet, for electronics. 50’

Story line by Mercedes Carrillo and Raúl Comba based on the homonymus novel by Cervantes

première: 05/07/2002, Teatro del Generalife, Granada / Spain. Company Latorre. Daniel Navarro (Rinconete), Ignacio Blanco (Cortadillo). choreography: Javier Latorre

scenery: Abraham Lacalle

• Universal Edition

CAMINO AL ANDAR 2003

Soundtrack for the documentary film by Sholeh Hejazi. 83’

script: Víctor Andresco

P. Universal Edition

CANTES ANTIGUOS 2003

for cantaor, piano and sound carrier. 10’

commissioned by: Het Muziektheater Amsterdam

text source: Persian poems of the XII century selected and arranged by the composer

première: 12/02/2003 Het Muziek-theater, Amsterdam / Netherlands. Arcángel (cantaor). Het Nationale Ballet / Kristof Pastor.

• Universal Edition

CHALAN 2003

for percussion and orchestra ( 2.2.0.1. / 1.1.2.1. / 2 perc / piano / string). 18’

commissioned by: Ensemble musikFabrik and Kulturstiftung NWR

première: 03/12/2003, Funkhaus Wallrafplatz, Cologne / Germany. Trilok Gurtu (percussion), Ensemble musikFabrik/ Stefan Asbury.

• Universal Edition UE 32615 / 32912 (2003)

TONÁ 2003

for clarinet

première: 28/04/2003 Teatre Talia, Valencia / Spain. José Luis Estellés (clarinet)

• Piles ‘Quadern Ensems per a solistes’ (2004), pp. 117-119

ARTEMIS. STREICHQUARTETT N. 2 2003/04

for string quartet. 23’

commissioned by: BBC Radio 3

première: 24/09/2004, Bridgewater Hall, Manchester / UK. Artemis Quartett.

• Universal Edition UE 32960 (2004)

New version with voice:

AUDÉEIS 2004

for voice (cantaor) and string quartet. 20’

commissioned by: Fundación Caja Madrid

première: 27/10/2004, Auditorio Nacional de Música, Madrid. Artemis Quartett, Arcángel (cantaor)

• Universal Edition

WALL OF LIGHT RED 2003/04

for saxophone and ensemble (1.1.1.1. / 0.1.1.0. / 3 perc / 1.1.1.1.1.) 17’

commissioned by: Klangforum Wien

première: 06/12/2004, Helmut List-Halle, Graz / Austria. Gerald Preinfalk (saxophone), Klangforum Wien / Beat Furrer.

• Universal Edition

SONETOS DEL AMOR OSCURO. CRIPTA SONORA PARA LUIGI NONO 2003/05

for 2 cantaores, mixed choir, (4A4T4Bar4B), bass flute, double bass, ensemble (clarinet / bass clarinetbajo, 3 perc and string trio) and sound carrier. 64’

commissioned by: Festival Internacional de Música y Danza de Granada and Institut Valencià de la Música. 64’

première: 01/07/2005, Hospital Real, Granada / Spain. Arcángel, Miguel Poveda (cantaores), Roberto Fabbriciani (flute), Uli Fussenegger (double bass) Grup Instrumental de València, Coro de la Generalitat Valenciana / Joan Cerveró. Sound director: Mauricio Sotelo. Images: Sean Scully

• Universal Edition

CUADERNO DE DANZAS 2004

for violin and ensemble (1.0.1.1. / 1.1.0.0. / perc / hp /guit / 1.0.1.1.1.) 20’

commissioned by: Contempoartensemble

première: 06/12/2004, Teatro Pergola, Florence / Italy. Duccio Ceccanti (violin) Contempoartensemble / Mauro Ceccanti

• Universal Edition

EL LOCO 2004

ballet, for saxophone and orchestra. 90’

commissioned by: Ballet Nacional de España

première:06/09/2004, Teatro Real, Madrid / Spain. Ballet Nacional de España / José Antonio. Marcus Weiss (saxophone),

Orquesta Sinfónica de Madrid / Josep Pons

Choreography: Javier Latorre

Scenery: Francisco López

main soloists: Christian Lozano (Félix ‘El loco’), Tamara López (Tamara Karsavina / La molinera / La dama blanca), Óscar Jiménez (Massine / El molinero / Espectro), Alberto Ferrero (Diaghilev / Espectro), Primitivo Daza (El bailaor antiguo / Espectro)

• Proyecto Sotelo SL

MUROS DE DOLOR… I 2005

for tenor saxophone. 4’

commissioned by: Mostra Sonora de Sueca

première: 25/06/2005 Sueca / Spain. Marcus Weiss (saxophone)

• Universal Edition

MUROS DE DOLOR… I_b 2012

for flute. 4’

• Universal Edition

MUROS DE DOLOR… II 2005

for flute

commissioned by: Sociedad Española de Conmemoraciones Culturales

première: 07/11/2005. Residencia de Estudiantes, Madrid / Spain. Alessandra Rombolá (flute)

• Universal Edition

DULCINEA 2005/06

A children's opera based on "Don Quijote" by Miguel de Cervantes. 55’

commissioned by: Fundación Teatro Lírico - Teatro Real de Madrid in coproduction with Gran Teatre del Liceu de Barcelona, Asociación de Amigos de la Ópera de Bilbao, Teatro de la Maestranza de Sevilla, Fundación Ópera de Oviedo, Palau de les Arts de Valencia and Sociedad Estatal de Conmemoraciones Culturales

original libretto by Andrés Ibáñez

parts: Niño (soprano), Madre / Dulcinea (mezzo-soprano), Don Quijote (countertenor), Sancho (baritone)

for ensemble (clarinet, violin, violoncello, percussion and piano) and sound carrier

première: 18/05/2006, Teatro Real, Madrid / Spain. Arantxa Armentia (Niño), Beatriz Lanza (Madre / Dulcinea), José Hernández Pastor (Don Quijote), Javier Galán (Sancho), Javier Ibarz (Cervantes); Vicente Alberola (clarinet), Margarita Sikoeva (violin), Dragos Alexander Balán (violoncello), Juanjo Rubio (percussion), Juan Carlos Garvayo (piano) / Joan Cerveró

Scenery: Gustavo Tambascio

• Universal Edition UE 33449

RAÍZ DEL AIRE 2005/06

for cantaor and ensemble (flute, clarinet, violin, violoncello y percussion)

première: 24/04/2006 Sendesaal Radio Bremen, Bremen / Germany. Antonio Vélez ‘Pitingo’ (cantaor), Grup Instrumental de València / Joan Cerveró

• Universal Edition UE 33583 / 33585 (2006)

WALL OF LIGHT BLACK – FOR SEAN SCULLY 2005/06

for saxophone and ensemble (1.1.1.1. / 1.1.1.1. / 2 perc / piano / 1.1.1.1.1.) 16’

commissioned by: musikFabrik and Kunststifung NRW

première: 27/08/2006 Funkhaus Cologne / Germany. Marcus Weiss (saxophone), musikFabrik / Brad Lubman

• Universal Edition UE 3

32217 / 33220 (2006)

WALL OF LIGHT SKY 2005/06

for ensemble (flute, clarinet, 2 violins, violoncello and percussion) and sound carrier. 12’

commissioned by: Grup Instrumental de València

première: 24/04/2006, Sendesaal Radio Bremen, Bremen / Germany. Grup Instrumental de València / Joan Cerveró

• Universal Edition.

GREEN AURORA DANCING OVER THE NIGHT SIDE OF THE EARTH 2006

for piano. 10’

commissioned by: Robert-Schumann-Gesellschaft e. V. Düsseldorf for the Concours-Clara-Schumann 2007

• Universal Edition UE 33418 (2007)

TANQUAM CENTRUM CIRCULI 2006

for flute, harpsichord and orchestra (2.2.3.2. / 4.2.2.1. / 3 perc/ string) 18’

commissioned by: Saarländischer Rundfunk

première: 24/09/2006, Congresshalle, Saarbrücken / Germany. Roberto Fabbriciani (flute), Elisabeth Chojnacka (harpsichord) RSO-Saarbrücken /Josep Pons

• Universal Edition UE 31042 / 31107 (2006)

TISRA KLAVIERTRIO N. 1 2006

commissioned by: Trío Arbós. 12’

première: 16/12/2006, Lodi / Italy. Trío Arbós [Miguel Borrego (violin); José Miguel Gómez (violoncello); Juan Carlos Garvayo (piano)].

• Universal Edition UE 33675 / 33676a-c (2006)

MUROS DE DOLOR… III 2006/07

for orchestra (3.2.3.2. / 4.2.2.1. / 3 perc / string). 14’

commissioned by: Orquesta Filarmónica de Gran Canaria

première: 04/052007, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Orquesta Filarmónica de Gran Canaria / Anne Manson

• Universal Edition

NIGHT 2007

for percussion and ensemble (1.1.2.1. / 1.1.1.0. / 2 perc / hp / piano / 1.1.1.1.1.) 25’

commissioned by: Casa da Música de Oporto for Remix Ensemble

première: 16/06/2007, Casa da Música, Oporto / Portugal. Miquel Bernat (percussion ), Remix Ensemble / Emilio Pomàrico.

• Universal Edition

VENTA VARGA 2007

piano trio

première: 29/11/2007 Musikverein, Vienna / Austria. Wiener Klaviertrio: Wolfgang Redik, vl; Matthias Gredler, vc; Stefan Mendl, pn

• Universal Edition

MUROS DE DOLOR… IV – SOLEÁ DE UTRERA 2007

for cantaor, saxophone and percussion. 10’

commissioned by: Dúo Lorca and Año Jubilar V Centenario de Utrera

première: 14/12/2007, Teatro Municipal ‘Enrique de la Cuadra’ Utrera / Spain. Rafael de Utrera (cantaor), Dúo Lorca [Juan Jiménez, saxophone; Antonio Moreno, percussion]

• Universal Edition

COMO LLORA EL VIENTO… 2007

for guitar and orchestra. 23’

commissioned by: Festival de Música de Canarias

première: 18/01/2008, Auditorio Alfredo Kraus, Las Palmas de Gran Canaria / Spain. Juan Manuel Cañizares (guitar), Nederlands Philharmonisch Orkest / Yakov Kreizberg

• Universal Edition UE 33996 / 33710 (2007)

COMO LLORA EL AGUA… 2008

para guitarra flamenca. 12’

commissioned by: MaerzMusik – Festival für aktuelle Musik, Berlín

première: 13/03/2008, Universität der Künste, Berlín / Germany. Juan Manuel Cañizares (guitarra)

• Universal Edition

EL RAYO DE TINIEBLA 2007/08

for cantaor, choir and orchestra

commissioned by: Orquesta de la Comunidad de Madrid

première: 04/06/2008, Auditorio Nacional de Música, Madrid / Spain. Arcángel (cantaor) ,Orquesta y Coro de la Comunidad de Madrid / José Ramón Encinar

• Universal Edition

SUPERNOVA-SANTA MARINA LA REAL 2008

for organ. 12’

commissioned by: XXV Festival Internacional de Órgano Catedral de León

première: 11/10/2008, Iglesia de Santa Marina la Real, León / Spain. Adolfo Gutiérrez Viejo, organ

• Universal Edition

DE OSCURA LLAMA 2008

for voice (cantaor), ensemble und sound carrier.50’

première: 08/12/2008, Teatro Jovellanos, Gijón / Spain. Arcángel (Cantaor), Roberto Fabbriciani (flute) Stefano Scodanibbio (double bass), Ensemble RESIDENCIAS: Carlos Glavez (clarinet), Miguel Borrego (violin), José Miguel Gómez (violoncello) Juan Carlos Garvayo (piano), Juanjo Guillem and Rafa Gálvez (percussion) / Mauricio Sotelo

• Universal Edition

CRIPTA, MÚSICA PARA LUIGI NONO 2009

for voice (cantaor), mixed choir, ensemble and sound carrier. 64’

commissioned by: Salzburg Biennale (I)

première: 05/03/2009, Mozarteum, Salzburg / Austria. Arcángel (cantaor), Österreichises Ensemble für Neue Musik, Salzburger Bachchor / Beat Furrer

• Universal Edition

ARDE EL ALBA 2008/09

for soprano, ‘cantaor’ and orchestra. 24’

commissioned by: Orquesta Nacional de España.

première: 04/03/2009, Auditorio Nacional, Madrid / Spain. Milagros Poblador (soprano), Arcángel (cantaor),Orquesta y Coro Nacional de España/ Josep Pons

• Universal Edition

A ROBERTO-LA CHIAREZZA DESERTA 2009

for flute

première: 26/04/2009, Zagreb / Croatia

• Universal Edition

COMO LLORA EL VIENTO… 2009

for guitar and ensemble. 23’

commissioned by: Grup Instrumental de Valencia

première: 18/09/2009,Teatro Principal, Alicante /Spain. Juan Manuel Cañizares (guitar), Grup Instrumental de Valencia /Joan Cerveró

• Universal Edition

JEREZ DESDE EL AIRE O AL AIRE DE JEREZ 2009

for piano. 7’

commissioned by: Asociación Española de Festivales de Música Clásica

première: 28/11/2009, Cádiz / Spain. Juan Carlos Garvayo

• Universal Edition

KlangMuro …I 2009

for flute, double bass and ensemble. 25’

commissioned by: Klangforum Wien

première: 09/10/2009, Helmuth List-Halle, Graz /Austria. Vera Fischer (fl.), Uli Fussenegger (db.) Klangforum Wien / Rolf Gupta

• Universal Edition

LA MÉMOIRE INCENDIÉE: LA GUITARE. STREICHQUARTETT N. 3 2007/09

for string quartet. 18’

commissioned by: Centro para la Difusión de la Música Contemporánea (CDMC) and Quatuor Diotima

première: 23/09/2009, Teatro Arniches, Alicante / Spain. Quatuor Diotima

• Universal Edition

MUROS DE DOLOR... V: JOSÉ ÁNGEL VALENTE-MEMORIA SONORA 2009

for violin and live electronics. 10’

première: 24/09/2009, Ourense / Spain. Raquel Rivera

• Universal Edition

ALTER KLANG 2009/2010

for cantaor, guitar and string quartet

commissioned by: Quatuor Diotima

première: 17/02/2010, Auditorio Nacional de Música, Madrid / Spain. Quatuor Diotima, JM Cañizares (guitar), Arcángel (cantaor)

• Universal Edition

MUROS DE DOLOR... VI: Soleá 2010

for violoncello. 10’

commissioned by: Composer Association “The Sound Set Japan”

première: 24/09/2010, Auditorium Musicasa, Tokyo / Japan. Ryou Onoki

• Universal Edition

CRIPTA COLONIA GÜELL – MÚSICA PARA LA ESMUC 2010

for 2 voices (cantaoras), mixed choir, ensemble (1.0.2.0-0.0.0.0, timp, perc(2), hp, acc, pno, vln, guit, vla, vc, cb) and electronics. 25’

commissioned by: Escola Superior de Música de Catalunya

première: 25/10/2010, L’Auditori, Barcelona / Spain. Solisten-Ensemble / Mauricio Sotelo (dir.)

• Universal Edition

MUERTE SIN FIN 2010

for for dancer, cantaor and ensemble. 34’

commissioned by: Biënale Flamenco 2011

première: 30/01/2011, Muziekgebow Amsterdam/Netherlands. Niew Ensemble / Ed Spanjaard

• Universal Edition

ALPHA CENTAURI 2010

for ensemble and electronics. 19’

commissioned by: Ensemble Espai Sonor

première: 31/01/2011, Centro de Arte Reina Sofia, Auditorio 400, Madrid / Spain. Espai Sonor / Voro García

• Universal Edition

MUERTE SIN FIN … COMENTARIO, a la memoria de Enrique Morente 2011

for reciter, bailaora, cantaor, ensemble and electronics. 72’

text: José Gorostiza

première: 29/06/2011, Teatro Real, Madrid / Spain. Juan Diego (recitation), Fuensanta “La Moneta” (bailaora), Arcangel (cantaor) / Mauricio Sotelo

• Universal Edition

CUERPOS ROBADOS 2011

for violin, reciter and orchestra. 15’

commissioned by: Festival Klangspuren Schwaz

première: 08/09/2011 Schwaz / Austria. Patricia Kopatchinskaja (violín), Ernesto Estrella (recitador), Tiroler SO Innsbruck / Franck Ollu

• Universal Edition

LUZ SOBRE LIENZO 2011

for violin, bailaora, percusssion and electronic. 40’

commissioned by: Acción Cultural Española for the 200th Anniversary of the Constitution of 1812

première: 03/12/2011 Auditorio 400, Centro de Arte Reina Sofia, Madrid / Spain.

Patricia Kopatchinskaja (vl.), Fuensanta “La Moneta”, (bailaora), Agustín Diassera (perc), Fernando Villanueva (electronics)

• Universal Edition

MAPAS CELESTES…I 2011

for ensemble (flute, clarinet, horn, percussion, piano, violin and violoncello) and electronics. 15’

commissioned by: Sociedad Filarmónica de Badajoz

première: 01/12/2011, Badajoz / España. Neo Ars Ensemble

• Universal Edition

AZUL DE LONTANANZA 2012

for string sextet. 10’

commissioned by: Instituto Italiano de Cultura de Madrid

première: 05/ 05/ 2012. Teatro alla Scala, Milano / Italia

10. 05. 2012. Auditorio Nacional de Música. Madrid /España

Sestetto d'archi dell'Accademia del Teatro alla Scala

• Universal Edition

SUB ROSA 2012

for piano solo. 12’

commissioned by: Juan Carlos Garvayo/ Asociación Voltaire

première: 12/06/2012, Madrid/España. Juan Carlos Garvayo

• Universal Edition

ABER DAS WEHENDE HÖRE… 2012

for piano solo. 9’33’’

dedication: Yehuda Elkana

• Universal Edition

KLANGMURO …II 2012

for ensemble (principal violin). 17’

commissioned by: IVM and CNDM/Inaem

première: 29/05/2012, Centro del Carmen, Valencia / España,

30/05/2012, Auditorio Nacional de Música, Madrid / España

Mª Carmen Antequera (violin), Grup Instrumental/ Jordi Bernàcer

• Universal Edition

CRIPTA – MÚSICA PARA MANUEL DE FALLA 2012

for ensemble and electronics. 15’

commissioned by: ContempoArt–Ensemble

première: 07/ 06. 2012, Teatro Goldoni, “Maggio musicale Fiorentino”, Firenze / Italia

ContempoArt-Ensemble / Mauro Ceccanti

• Universal Edition

MUROS DE DOLOR … Ib 2012

For flute. 4’

[Version from Muros de dolor … I für Tenorsaxofon (2005)]

• Universal Edition

EL PUBLICO 2010/2013

An opera in five scenes and a prologue

libretto by Andrés Ibáñez, based on the play by Federico García Lorca

commissioned by: Gerard Mortier for the Teatro Real de Madrid. Fundación Teatro Real.

KLANGFORUM Wien; Coro del Teatro Real. / Pablo Heras-Casado. Dirección de escena: Robert Castro. Escenografía: Alexander Polzin.

Figurines: Wojciech Dziedzic. Iluminación: Urs Schönebaum. Coreografía: Darrel Grand Moultrie

Dirección de sonido: Peter Böhm. Asistente de dirección de sonido: Florian Bogner

Dirección del coro: Andrés Máspero. / Director: José Antonio López. Caballo primero: Arcángel. Caballo segundo : Jesús Méndez.

Caballo tercero: Rubén Olmo. Hombre primero: Thomas Tatzl. Hombre segundo: Josep Miquel Ramón. Hombre tercero: Antonio Lozano

Elena: Gun-Brit Barkmin. Emperador / Prestidigitador: Erin Caves. Julieta: Isabella Gaudí. Criado / Enfermero: José San Antonio

Guitarra solista: Cañizares. Percusionista: Agustín Diassera

première: 24/02/2015, Teatro Real, Madrid. (further performances: 26 February; 1, 4, 6, 9, 11, 13 March)

• Proyecto Sotelo SL

DVD/BluRay by Bel Air Classiques (BAC134)

Part 1: Act. 1-2-3

Part 2: Act. 4-5

ANCORA UN SEGRETO… 2012/13

Hommage–Sonate per Alfred Brendel

for piano solo. 17’

commissioned by: 60. Internationale Klavierwettbewerb Ferruccio Busoni/ Siemens Musikstiftung

première: 25/08/2014, Bolzano/Italia. Juan Carlos Garvayo

• Universal Edition

LE TEMPS SCINTILLE… 2014/18

for string quartet and electronics. 48’

commissioned by: SWR Experimental Studio, Freiburg

(Der Titel ist ein Zitat aus dem Gedicht »Le cimetière marin« (1920) von Paul

Valéry: »Le temps scintille et le songe est savoir«.)

In preparation

BRUCKNER-NACHKLANG 2013

for orchestra. 3’33’’

commissioned by: Bamberger Symphoniker

première: 23/05/2014, Konzerthaus, Vienna

Bamberger Symphoniker/ Jonathan Nott

• Universal Edition

RED INNER LIGHT SCULPTURE 2015

for violin, bailaora [Flamenco-Tänzerin], flamenco–percussion and string orchestra. 22’

commissioned by: Patricia Kopatchinskaja / Praetorius Prize

première: 10, 11, 12/06/2016, Ordaway Hall, St. Paul / Minnesota 2016; 20’

Patricia Kopatchinskaja (Vl.), Ruben Olmo (bailaor), Agustín Diassera (perc), St. Paul Chamber Orchestra / Tito Muñoz.

(Also performable without bailaora and flamenco percussion)

• Universal Edition

WHITE INNER LIGHT 2015

for solo violin. ca. 5’

commissioned by: Proyecto Sotelo SL

première: Jugend Musiziert. Kassel/Germany. P. Mauricio Sotelo-Romero

• Proyecto Sotelo SL

BLANCA LUZ DE AZAHAR 2016

for viola and Piano. 14’

commissioned by: CNDM

première: 30/11/2016. Auditorio Nacional. Madrid/ Spain. Isabel Villanueva (va.) Thomas Hoppe (pno)

• Proyecto Sotelo SL

EL CELLO LA GUITARRA Y EL MAR 2016

for cello and guitar. 14’

commissioned by: XLIV Festival Internacional Cervantino de Guanajuato.

première: 19/10/2016. Festival Cervantino. Guanajuato /Mex. Rohan de Saram (vc.) Magnus Andersson (guit.)

• Proyecto Sotelo SL

PLAZA ALTA 2016

for ensemble [Fl., Clar., Alt-Sax., Vl., Vc., Pn., Perc.] 5’

commissioned by: Sociedad Filarmónica de Badajoz/CNDM

première: 17/10/2016, Badajoz. Sonido Extremo/ Jordi Francés

• Proyecto Sotelo SL

RED INNER LIGHT-VIITASAARI NIGHT 2016

for ensemble [Fl., Vl., Va., 2 Pno., Perc.]. ca. 8’

première: 10/07/2016. ‘Time of Music’, Viitasaari/Finland. P. Mauricio Sotelo-Romero (vn), Liza Reid (va), Maria Lund (fl), Irene Bianco (perc), Magdalena Cerezo (pno), Jana Luksts (pno).

• Proyecto Sotelo SL

CINCO SONATAS DE DOMENICO SCARLATTI (K107, K184, K 450, K455, K87) 2017

for string orchestra (with flamenco percussion ad libitum) ca. 30’

commissioned by: Stuttgarter Kammerorchester

première: 23/03/2017, Theaterhaus, Stuttgart/ Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

• Universal Edition

DOS PRELUDIOS DE CHOPIN (Nr. 4 & Nr. 8) 2017

for solo violine and string orchestra. ca. 10’

commissioned by: Stuttgarter Kammerorchester

première: 23/03/2017, Theaterhaus, Stuttgart/Germany; Stuttgarter Kammerorchester / Mauricio Sotelo

• Universal Edition

Y LOS ARCOS VACÍOS POR EL CIELO 2017

for guitar quartet and string orchestra. ca. 20’

commissioned by: Aleph Gitarrenquartett /Stuttgarter Kammerorchester

première: 19/05/2017 Stuttgart/Germany; Aleph Gitarrenquartett, Stuttgarter Kammerorchester / Mauricio Sotelo

• Proyecto Sotelo SL

UN MAR DE TIERRA BLANCA 2017

for guitar quartet. ca. 14’

commissioned by: Aleph Gitarrenquartett

première: 04/01/2019 Lausanne/Switzerland; Aleph Gitarrenquartett

• Proyecto Sotelo SL

QUASALS VB–131. Streichquartett Nr. 4 2017

for string quartet. 11’

commissioned by: L’Auditori de Barcelona/CNDM

première: 04/10/2017. Wigmore Hall, London/ GB. (Tournee: Philharmonie Berlin, Konzerthaus Wien, Baden–Baden, Luxemburg, Torino, Firenze, Barcelona, Madrid, Granada…) Cuarteto Casals

• Universal Edition

BULERÍA ARBÓS: RITUAL 2017

for cantaor, viola, cello and piano. 12’

commissioned by: Trio Arbós

première: 25/10/2017. Auditorio Nacional de Música, Madrid/Spain. Trio Arbós (Cecilia Bercovich, José Miguel Gómez, Juan Carlos Garvayo)

• Proyecto Sotelo SL

CON SEGRETO SUSSURRO: DE VINCULIS 2017

Concerto per pianoforte e orchestra. 22’

commissioned by: Orquesta Nacional de España/INAEM

première: 23, 24, 25/02/2018. Auditorio Nacional de Música, Madrid/Spain. Nicolas Hodges (pno), Orquesta Nacional de España / David Afkham

• Proyecto Sotelo SL

BLUE INNER LIGHT 2017

for solo violin. 3’

• Proyecto Sotelo SL

MUROS DE DOLOR … VIIa 2018

for solo viola. 8’

première: 23/02/2018. Beethovenhaus, /Germany; Tabea Zimmermann (viola)

• Universal Edition

D’IMMENSO…LIBRO I 2018

for flute and accordion 12’

première: 03/12/2018. Firenze/Italia. Roberto Fabbriciani (fl), Francesco Gesualdi (acc).

commissioned by: GAMO / Amici della Musica Firenze

• Proyecto Sotelo SL

LʼANGELO NECESSARIO – A MASSIMO CACCIARI 2018

For solo clarinet and orchestra. 15’

commissioned by: La Monnaie/De Munt

première: 06/01/2019. Bozar, Brussels/Belgium. Symphonic Orchestra of La Monnaie/ Alain Altinoglu

• Universal Edition

BRUNO O IL TEATRO DELLA MEMORIA. 2017/2020

Opera in five acts. 132’

Libretto (Italian): Massimo Cacciari and Mauricio Sotelo after texts by Giordano Bruno.

commissioned by: La Monnaie/De Munt

première (canceled): 14th September 2021. La Monnaie/ Brussels. Orchestra of La Monnaie/ Kazushi Ono. Stage direction: Alexander Polzin and Sommer Ulrickson. Set design: Alexander Polzin. Lighting designer: Urs Schönebaum

La Monnaie canceled the world premiere of BRUNO due to the coronavirus pandemic

• Universal Edition

Bruno Opera Web-Site

CINCO SONATAS DE DOMENICO SCARLATTI (K107, K184, K 450, K455, K87) 2020

for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 30’

commissioned by: MusicaSur

première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

• Universal Edition

DOS PRELUDIOS DE CHOPIN (Nr. 4 & Nr. 8) 2020

for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 10’

commissioned by: MusicaSur

première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

• Universal Edition

ESCULTURA DE ROJA LUZ INTERNA  2020

for clarinet, piano and string quartet (with flamenco percussion ad libitum) ca. 15’

commissioned by: MusicaSur

première: 22/09/2020, Teatro Calderón/ Motril/ Spain; Fuensanta "La Moneta", flamenco dance; JE Lluna, clarinet; JC Garvayo, piano; Agustín Diassera, flamenco percussion; QUATUOR DIOTIMA.

• Universal Edition

A MITAD DEL CAMINO DE LA VIDA 2020
Fragments from Dante’s Comedia traslated by José María Micó.

commissioned by: CNDM

première: 10/5/2021. Auditorio 400 Reina Sofía. Madrid/ Spain.

• Proyecto Sotelo SL

ENTRA EL ALBA EN LA ALHAMBRA 2021

for piano and live electronics ad lib. 9’30’’

commissioned by: CNDM

première: 28/02/2022. Auditorio 400 Reina Sofía. Madrid / Spain. Juan Carlos Garvayo, piano.

• Universal Edition

UN MAR DE SUEÑO. SUITE Nº 1 DE EL PÚBLICO. 2021/2022

for mezzosoprano, tenor and chamber orchestra. 20’

commissioned by: CNDM and Escuela Superior de Música Reina Sofía

• Universal Edition

DE CELESTE Y ORO 2021

for solo violin. 9’30’’

commissioned by: CNDM

première: 28/03/2022. Auditorio 400 Reina Sofía. Madrid/ Spain. Lina Tur Bonet, violín.

• Universal Edition

DE IMAGINUM, SIGNORUM ET IDEARUM COMPOSITIONE II 2021
for ensemble. 10’30’’
commissioned by: CNDM
première: 31/01/2022. Auditorio 400 Reina Sofía. Madrid/ Spain. Klangforum Wien / M. Sotelo

• Universal Edition

ESTELAS EN LA MAR 2021
for mixed choir and two violins 10’30’’
commissioned by: SWR Vokalensemble
première: 11/05/2022. Brucknerhaus Linz, Austria. SWR Vokalensemble. Soo Eun Lee and Alexander Knaak violins / Marcus Creed

• Universal Edition

CANTES ANTIGUOS DEL FLAMENCO 2021/22
for viola and orchestra. 22’
commissioned by: Festival Internacional de Granada 2022
première: 29/06/2022. Palacio de Carlos V, Granada / Sp

Orquesta Ciudad de Granada. Tabea Zimmermann / Lucas Macías

• Universal Edition

LUCIFER DEL AZUL: EL MAR 2022
for violin and piano. 9’
commissioned by: XIX Concurso Internacional de Música de Cámara de Arnuero
première: 8/07/2022. Iglesia de Nuestra Señora de la Asunción. Arnuero / Spain. Alejandro Saiz, violín; Enrique Lapaz, piano

• Universal Edition

CANTES DE ROJO FUEGO 2023
for voice ( cantaor), saxophone and orchestra. 29'
commissioned by: Festival Flamenco on Fire 2023
première: 23/07/2023. Auditorio Baluarte, Pamplona / Sp

Orquesta Sinfónica de Navarra. Vicente Soto "Sordera", Antonio Reyes, Rosario "La Tremendita" / Óliver Díaz

• Universal Edition